fashionfever:

 

xamity:

naturalisse:

illustratographer:

I took a photo every 2 minutes over the span of about 2 hours at a 20 second exposure and animated it all together! This 2 second loop was the result! 
Craters of the Moon National Monument, Idaho

HOLY FUCK

holy fuck you can actually see how the earth turns by paying attention to the stars

xamity:

naturalisse:

illustratographer:

I took a photo every 2 minutes over the span of about 2 hours at a 20 second exposure and animated it all together! This 2 second loop was the result! 

Craters of the Moon National Monument, Idaho

HOLY FUCK

holy fuck you can actually see how the earth turns by paying attention to the stars





(Source: edings)

queenof-diamondss:

bitteranthony:

beach—-baby:

fuck


This is like a picture of my life

queenof-diamondss:

bitteranthony:

beach—-baby:

fuck

This is like a picture of my life

(Source: hipsmaylie)

phoenixx23:

thepoeticrebel:

dontbeabrat:

prettylxxxve:

lolitalovesshoes:

This is not life…

Wow wow wow

oh but nigga we ignorant tho

._.

1958 THESE ARE SOME OF YOUR GRANDPARENTS!!!! 
"slavery was hundreds of years ago. get over it" 
shut THE fuck up. 56 years ago black children were zoo attractions.
the same thing is happening in india as of LAST YEAR. Native Jarwawa peoples are tracked down like creatures on a safari and are forced to dance for food. x 
fuck you. fuck yourself. fuck your “reverse racism”.

phoenixx23:

thepoeticrebel:

dontbeabrat:

prettylxxxve:

lolitalovesshoes:

This is not life…

Wow wow wow

oh but nigga we ignorant tho

._.

1958 THESE ARE SOME OF YOUR GRANDPARENTS!!!! 

"slavery was hundreds of years ago. get over it" 

shut THE fuck up. 56 years ago black children were zoo attractions.

the same thing is happening in india as of LAST YEAR. Native Jarwawa peoples are tracked down like creatures on a safari and are forced to dance for food. x 

fuck you. fuck yourself. fuck your “reverse racism”.

(Source: gold-kushkloudz.tubmlr.com)



(Source: katara)







tepitome:

Enfoque II, 2013 by Omar Ortiz

(Source: pikeys)